{"id":1646,"date":"2025-01-08T14:22:58","date_gmt":"2025-01-08T13:22:58","guid":{"rendered":"https:\/\/museumsguide.net\/?p=1646"},"modified":"2025-01-08T14:22:59","modified_gmt":"2025-01-08T13:22:59","slug":"street-art-kunst-fuer-alle","status":"publish","type":"post","link":"https:\/\/museumsguide.net\/en\/street-art-kunst-fuer-alle\/","title":{"rendered":"Street Art Art for All"},"content":{"rendered":"<p>Zero Project also aims to make public art accessible to everyone. In 2024, additional important landmarks were created.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>The &quot;Art in Passing&quot; project, launched by Street Art Belgrade 2021, aims to make street art accessible to people with visual impairments through 3D-printed tactile models. To promote this innovation in inclusive art education, Zero Project 2023 invited Serbian street artist Jana Danilovi\u0107 to the Zero Project Conference 2023, the #ZeroCon23. During the three-day conference, she created the mural &quot;Inclusion ZPC23&quot; as an accessible artwork at the UNO City in Vienna.<\/p>\n\n\n\n<p>The depiction of two embracing women, one of whom is in a wheelchair, is intended to demonstrate that love and touch overcome barriers. Flying birds convey a sense of limitless possibilities. The mural was also equipped with three-dimensional elements and a tactile panel, making the artwork tangible.<\/p>\n\n\n\n<p><strong>Implementation from Vienna to Iowa<\/strong><\/p>\n\n\n\n<p>Subsequently, this innovation for a barrier-free art experience was also implemented in public spaces. In collaboration with &quot;Calle Libre,&quot; three murals in Karl Farkas Park in Vienna&#039;s seventh district were supplemented with tactile panels. These include three-dimensional sections of the artworks and Braille explanations. Audio information can also be accessed via a QR code attached to the panel. Furthermore, the reliefs were colored to make the tactile representations attractive for children playing in the park.<\/p>\n\n\n\n<p>The work &quot;Inclusion ZPC23&quot; also inspired Jill Wells, artist and fellow at the Harkin Institute at Drake University in Des Moines, Iowa (USA), to follow suit. After participating in #ZeroCon23, she complemented her artwork at King Elementary School in Des Moines with a tactile panel. Participants from Australia, Bulgaria, Israel, and the UK also expressed interest in this form of inclusive art education.<\/p>\n\n\n\n<p>And for Jana Danilovi\u0107, working on #ZeroCon23 was also a groundbreaking experience: &quot;This project has opened my eyes to how I can proceed in my work to incorporate the tactile aspect.&quot;<\/p>\n\n\n\n<p><strong>Touch Vienna&#039;s largest mural<\/strong><\/p>\n\n\n\n<p>A special highlight in the efforts of the Essl Foundation and the Zero Project to make art accessible to all is &quot;Woman with Dove,&quot; which was created in spring 2024 and is highly visible on one of the towers of the Vienna International Centre. The nearly 1,000-square-meter graffiti is a work by Australian artist Fintan Magee and addresses the work of the United Nations and the fragility of peace.<\/p>\n\n\n\n<p>The commission was the United Nations Information Service in Vienna, a long-standing partner of the Essl Foundation, which facilitates the annual Zero Project Conference at the Vienna UNO City. In coordination with the UN, the artist, and a blind expert, the Essl Foundation provided a tactile panel to make Vienna&#039;s largest mural tangible and accessible to multiple senses.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;69e1edd437a96&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"69e1edd437a96\" class=\"wp-block-image size-large wp-lightbox-container\"><img data-dominant-color=\"928f8d\" data-has-transparency=\"false\" style=\"--dominant-color: #928f8d;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/museumsguide.net\/wp-content\/uploads\/2025\/01\/Street-Art-KUnst-fuer-Alle-1024x682.avif\" alt=\"Das Wangem\u00e4lde &quot;Woman with Dove&quot; der australischen K\u00fcnstlerin Fintan Magee in der Wiener UNO-City\" class=\"wp-image-1641 not-transparent\" srcset=\"https:\/\/museumsguide.net\/wp-content\/uploads\/2025\/01\/Street-Art-KUnst-fuer-Alle-1024x682.avif 1024w, https:\/\/museumsguide.net\/wp-content\/uploads\/2025\/01\/Street-Art-KUnst-fuer-Alle-768x512.avif 768w, https:\/\/museumsguide.net\/wp-content\/uploads\/2025\/01\/Street-Art-KUnst-fuer-Alle.avif 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Enlarge\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"state.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewbox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>","protected":false},"excerpt":{"rendered":"<p>Zero Project also aims to make public art accessible to everyone. Further important landmarks were created in 2024. The &quot;Art in Passing&quot; project, launched by Street Art Belgrade in 2021, aims to make street art accessible to people with visual impairments through 3D-printed tactile models. To further promote this innovation in inclusive art education, [\u2026]<\/p>","protected":false},"author":7,"featured_media":1641,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_sitemap_exclude":false,"_sitemap_priority":"","_sitemap_frequency":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1646","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/museumsguide.net\/en\/wp-json\/wp\/v2\/posts\/1646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumsguide.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumsguide.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumsguide.net\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/museumsguide.net\/en\/wp-json\/wp\/v2\/comments?post=1646"}],"version-history":[{"count":1,"href":"https:\/\/museumsguide.net\/en\/wp-json\/wp\/v2\/posts\/1646\/revisions"}],"predecessor-version":[{"id":1647,"href":"https:\/\/museumsguide.net\/en\/wp-json\/wp\/v2\/posts\/1646\/revisions\/1647"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumsguide.net\/en\/wp-json\/wp\/v2\/media\/1641"}],"wp:attachment":[{"href":"https:\/\/museumsguide.net\/en\/wp-json\/wp\/v2\/media?parent=1646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumsguide.net\/en\/wp-json\/wp\/v2\/categories?post=1646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumsguide.net\/en\/wp-json\/wp\/v2\/tags?post=1646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}